THE 70S AND 80S WERE CHARACTERIZED BY A GROWING EXPLORATION OF ARTIFICIALITY AND THE DEVELOPMENT AND USE OF MATERIALS THAT INCREASINGLY MEDIATED THE RELATIONSHIP BETWEEN MAN AND NATURE. ARTIFICIALITY HAS INSPIRED THE WORK OF ARCHITECTS AND DESIGNERS, WHO HAVE TRIED TO PICTURE A WORLD WITH LESS AND LESS NATURE, OR WITH AN ARTIFICIALIZED RELATIONSHIP WITH IT.
IN 1984 “THE NEOMERCE: THE DESIGN OF THE INVENTION AND ARTIFICIAL ECTASY” WAS PRESENTED AT THE CENTRE POMPIDOU IN PARIS. THE EXHIBITION WAS CURATED BY DENIS SANTACHIARA AND EXPLORED THE TECHNOLOGICAL POSSIBILITIES OF THOSE YEARS AND POSSIBLE NEW WAYS OF LIVING. THE TRAJECTORY TRACED BY NEOMERCE PROJECTED THE VISITOR AS FAR AS POSSIBLE FROM NATURE. GEOMERCE ATTEMPTS TO TRACE A RETURN PATH OF THE SAME JOURNEY, WITH THE CERTAINTY OF GETTING LOST SOMEWHERE.
OUR JOURNEY STARTS FROM THAT VERY POINT OF TECHNOLOGICAL PROGRESS WHERE DENIS SANTACHIARA (AND THE NEXT 30 YEARS OF DEVELOPMENT) BROUGHT US, BUT WITH THE INTENTION TO ABANDON